the third modular experiment in a series from approximately the same "mega-patch."

this is the longest and perhaps my least favorite of the three so far, but i did try to use some synth modules in new ways here...

the main "interesting" thing here is that i build up and end the piece by changing the step length of the melodic sequence from 2, 3, 4, 5, 6, 8 steps before kicking into another gear (and likewise in reverse on the way out). the rhythms for all the voices remain constant, but the notes they play changes; i think it's subtle but kinda cool... this isn't the most pleasing outcome but it makes me want to try to experiment with this further...

\\\\\\\\ patch notes ////////

for fuller explanation of how things are wired up, see:
---> vacillant (http://fiftyninety.fawmers.org/song/51742)
---> vicissitudinous (http://fiftyninety.fawmers.org/song/51778)

modifications this time around:
---> the bass line is controlled by a hihat trigger, whereas the treble/alto use kick/snare triggers
---> i added a 4th percussion voice (basimilus iteratus alter), playing a snarish sound triggered by the pulse output of the turing machine
---> switched up the euclidean sequences to 4 (kick), 6 (snare), 10 (hihat/tambourine sound)
---> reverb pedal set to the "spring" setting